![]() Just like you are not getting into a vehicle with someone who is not licensed to operate it. Here at Pro Tools NYC we really understand the importance and value of being a certified professional. That is why you need to put yourself through learning the ropes by getting certified. It is harder these days to work closely next to a seasoned, experienced pro to learn all the ropes. Your clients rely on you and you alone to make the audio and/or video product. These days, we do not work in teams as much as we used to. And given today’s work climate where a lot of professionals are working remote editing audio or video, it is now important more than ever to really know what you are doing. Today the standard in audio and video is AVID Pro Tools and AVID Media Composer. Especially these days when the software you use really does matter. ![]() If you are a sound or video professional and/or an inspiring professional you should be investing your time into understanding how audio and/or video production processes work. Someone once said “It is important to know what NOT to do” and I couldn’t agree more. When you know what you are doing it streamlines the process. That’s all! I hope you’ll enjoy it and make music with it! I’ll share later some details on some specific parts of the instrument.Pro Tools NYC educates on the importance of AVID Media Composer and Pro Tools Certification for today’s Audio and Video Professionals. The instrument is designed to be used in stereo, but you can merge the outputs with this knob to produce phasing that is characteristic of some recordings.ĭue to the nature of this project and the considerable amount of time devoted to its development please do not distribute your own versions of the instrument, and post instead your comments and suggestions in this thread. Progressive control over the stereo field. The original instruments were paraphonic (Envelope shared) but you can switch to full polyphony (except bass, remains monophonic) The mark represents the “realistic” setting for the human voiceĬontrols the pitch shift in manual mode, the range being defined by the pitch set knobĬontrols the volume balance of each section Very soon, I think that money rather than size will be the limit of processing power (iPhone X), so we will probably see the iPad start to become a preferred interface for music production/performance. The mark represents the “realistic” setting for the human voice But it also brings up the notion that heading toward Audulus working as an AUv3 on an iPad might be a way to futureproof the software. This section is monophonic (even in polyphony mode) and the lowest note has priority.Ĭontrols the vibrato that will affect all sectionsĬontrols the maximum range covered by the ptich shift knob (Manual mode) or the lower starting point of the pitch shift (Auto mode). The instrument:īass section of the RS-505, contrabass, tuba and cello. Any notes played non legato outside this range will only reset the envelope (paraphonic mode). Note that the instrument will only play with keys depressed from C1 to C5. includes a BBD harmonic distortion model.the instrument voicing can be paraphonic (original) or fully polyphonic.vibrato sections for the human voice or all voices (taken from the RS-505), with correct timings.modeling of the pitch shifting modes of the VP-330 and the RS-505 (Manual and Auto modes).strings section with feet mixing knobs (taken from the RS-505).emulation of the original waveforms using analog modeling techniques.phase-locked oscillators mimicking the divide-down circuitry of the original instruments.Hoping that it works on the last version of Audulus (3.6). It is also quite demanding in cpu, tested and working fine on an iPad pro 12.9 1st gen. I have not installed the latest version of the app since one critical node has been modified, in fear that it would completely break the instrument. samples and videos found around the webĭisclaimer: This module has been developed and tested in Audulus v 3.5.3.analog circuit simulation techniques (using the now defunct SPICE MultiSim touch app for iPad).the extremely detailed service manuals for the original machines published by Roland.Since I don’t own the original instruments (never ever seen one for real either!), I built this emulation using: This is an instrument based on the Roland VP-330 and RS-505 string machines. Today I’m posting a special “module”, a project I’ve been working on for many years, literally thousands of hours of work. This thread is the continuation of this thread. ![]() You probably don’t know me but I used to be pretty active in the old forum. I’m SansNom, an Audulus user since version 1. ![]() Banner 1373×640 103 KB VS-305 Vintage Voice and String synthesizer ![]()
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